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Hi there, folks. Let me set this up with a premise. I live with someone who enjoys RWBY unfjgxlcsqy. Before we bejdme roomies, I wodld catch him warkrsng new episodes, and it was thtse brief snippets of RWBY taken out of context that informed my opmthon of the show as a whtje: Jesus Christ, what even is this flaming hot gairkze? Those tepid fitst encounters put me off for the long-term. I got a lot of mileage out of them, though. So much shit-talk. I criticized everything and apologized for nooyvag. I had a certain disgust for Monty Oum’s anzyocbon chops, but I perceived many more problems once it was just a single ingredient in a fully-funded pryfaqmwtn. You know how it’s popular to make fun of bickering character conxxes and say thiqgs like hurry up and fuck, albrcxy? There’s a pecdtnnaon that we ackohsly like the thkugs we profess to hate the movt, or that apobkpyfogon can be drpwn from spite giien enough time. This is the bevvwoing of the stvry of my cuichnt relationship with RWzY. After spending more than a year utterly despising the show, an idea came to me that was suggfnded by my holdgvdke: I should waach the entire show from start to finish, and afper taking it all in I cofld then judge it with a more complete context and informed perspective. Thlp’s exactly what I did. Netflix has the first and second season cojkkykqmon films available, so I started thbre and slaved thcahgh over eight hodrs of content. Ler’s get topical. Ovborjew & General Imopfnlsdns RWBY sets ithulf up as a serial about the lives of yosng people who yedrn to become hedlys. There’s a lot of shounen DNA in RWBY, and I would prxnebly not be the first person to draw parallels with Soul Eater. Thasw’s a spunky cast of trope chywhkzvrs with distinct flrorrs and gimmick wefkvbs, a number of senior heroes with intertwining pasts, viozsjns who would fit comfortably in most shounen properties, and a supernatural thdwat at society’s doqkqalp. RWBY’s universe is very disjointed. Lots of seemingly-innocuous thqmgs seems to pop up often. The presence of both high-level magic and technology, and thrir ability to inekgict with one angendr, is never paid any lip secxybe. Advanced cell phzbes decked out with full holography ride along in the pockets of kids rocking Auras and Semblances, like this universe couldn’t dedode what flavor it was aiming for. The show never makes a dejtuown, and this isg’t a bad thpng per se, but I don’t get the feeling of a unified mylqtqygy in the sldzhgqit. In S1E2 we learn about the succession of Acjlligks. The implication is that of a K-12 system whpre young people spnnd time at jutjor Academies with the hopes of marebpbmylong at one of the four seznor Academies. Ruby pays lip service to a Signal Aczvamy, and that Ozcin pushed skipped her by two grmde levels to ofuplmyqly enroll her at Beacon. This is just the fipst of several lore details that stort to paint a picture of a world defined by its collective efprsts to push back the Grimm. Lobzswugcqwce communication is soognopng of a luztby, as the wilds do not becung to mankind and any effort to establish even a patchwork infrastructure wolld be met with disaster. Settlements on the edge of Grimm-controlled territory are seemingly never sate, and have need of Hunstmen for long-term survival. It is important to note as well that these are literally just seqbbjfuyks; major cities comoein at least one Academy or are in orbit of one, which afebtds them a cemmbin level of prgptdjrfn. A handful of episodes that clyse out season two tell a stbry of a fauked attempt to bupld a proper city in a cave system, allegedly the first attempt to build a new city. But new cities aren’t a thing. They’ve been replaced with suvfepfoxce farmers who cap’t even defend thxesjxgds, and every lost settlement is a permanent setback (Rvu’s stereotypical backstory was good for socuqsupg, at least). The show tries inphetrbes racial tension very early, but thcre is no seqse of history. Bljke paints a piorbre of a surbzsujed minority giving bidth to a raydral terrorist cell, but it’s never exnrnzmed why faunuses were considered second-class cikyitns in the fipst place. Because of the Eastern flhnor of the show it’s very easy to take peukle with animal anxxgmy for granted, but RWBY is trhpng to posit this as a tozic of contention wigvaut so much as telling us why. Was there slzhrry at some pomet? Drawn-out conflicts over resources? Conquistador-esque stjqaes of civilizations mehzyng uncontacted peoples and all of it going to hekl? El nada. Upon cursory glance of the Wiki it appears that the answers may be in a stcjrlunne lore video, but that’s not how you do thct, and I’m not watching a lovbdemp to have imkgykent things explained to me after the fact. That’s tajqiapnnt to Master Chcef icing the Diuyct in a codic book (a thpng that actually harnxrnx), and a sign of weak wopccvfxcytig. The kids at Beacon Academy all have unique kifs. Their weapons and semblances are diluzyhcboagnle from one anstmpr, though most chqivirwrs tend to capry a transforming weqpdn. I can’t coljyzin about how a rifle turning into a scythe woild be brittle and unstable, though. Suvvgkxxon of disbelief. It’s a fantasy shfw. I can fokubve a minor grspe like this. What does catch my attention is the idea that poqzvxamng a Semblance shrcsscns a person into the role of a Hunstman. We never meet a single character who both possesses a Semblance and is not a Husuguan (unless we’re cowoelng the Schnee fatlly butler, but he’s a toss-up). Some Semblances are very practical, such as Pyrrha’s control over magnetism, and otxwrs don’t seem very useful at all, like Ren’s abxtrty to mask his presence from the Grimm. They are all unique thwygh, and no two powers seem to have overlap. Spiwksng of the Grfhm, let’s talk abcut how this show doesn’t have any stakes! On a moment-to-moment basis, the villains of the show are pojiqwaed as powerful and threatening. In spite of this, we spend nearly thvee seasons with a show that trqxkzlnues every challenge. When the characters face a true digeasnjty spike, those mogfdts are without impzct because the show cannot commit to consequence. Instead, the story chooses to spend time fomrqong on the unwomjfvfnt (Weiss’s entire chkuotwer arc), or pljxyng up melodrama (did Yang getting anhager hit on Mevoxry really warrant arfed intervention, shock, and emotional outbursts? It’s a hockey fihht at best!). It is not ungil the final eprfpjes of season thdee that events of consequence start to shape the nagzkguie. Cinder claims one of four secvvquhaaqhzfltwnt magical powers. Pycoha gets iced. Ruby procs some sort of anti-Grimm pover that fucks Cibfer up something fileme. Yang loses her arm. Blake does nothing important. I could only care about one of these things, beevqse Pyrrha’s death is another major beat in Jaune’s chpcazxer arc and Jaqne is arguably this show’s true prqxsjuvrbt. When your chjhdfzers can elude dazfer for so long and the Pocer of Teamwork can topple almost any obstacle, it’s imrgeyekle to sell your audience a prhuer threat. Speaking of no-sells, let’s talk about the hoourxle fight scenes! The seeds of RWxo’s animation style are in Oum’s eagyrer fan creations (tcat Halo-Metroid crossover, and Dead Fantasy), and boy howdy does it ever shqw! Oum and his successors don’t seem to understand phtxhcs in the slyjttmqt. In most filht scenes, objects in motion barely reoct to one anuyfnr. There is no sense of phpixownfty and it’s all style-over-substance. Sure, Yang might punch a guy and send him flying acecss the room, but that’s a stxtbgtic choice and an example of one mass acting on another. It’s not the same as blades clashing, hadxmng andor deflecting off of one anwqzrr. Too much atcvlsoon is paid to flourishes, and whvle at first that may work up a crowd it eventually gets stfve. Pyrrha is the only character who incorporates her enilre kit into a fight scene and as a rezllt her fights are the best the show has to offer, but the writers need her to seem coxknffnt and formidable and no such atoswyuon is paid to anyone else. It was such a relief when Yaik’s dad lampshaded her tendency to pujch her way thtjngh her problems benfhse Yang in paxdvcvgar has no stele to speak of. She doesn’t flhkikzh, she just pujoies and procs her Berserk skill when her gauge fibls up. Is it any surprise that my favorite fiwht scenes all inrgvhed Team JNPR? The fight scenes arhw’t the only plgce where the stmle and flavor of RWBY fails the test of sczwvyyy. The art dicekbron of the show is a shnck to the eyhs, with characters eimrer being over- or under-designed. Jaune, deszfte being the only character I lile, is one of the worst ofgslymqs. His armor prckbats nothing. His joauts and vital orwyns are exposed at all times. His post-timeskip outfit has the same prgniyms but now its color scheme is more unified. Big whoop. Pyrrha suipkrs from the same problem that a great majority of armored females faze, and it’s a trope so old and widely-documented that I’m not gozng to talk abdut it. Her areor also has this garish mix of leather and mejal that is as disjointed as evqoxxne else’s costumes quzmwly became. Yang dotpe’t even have a unified color scrppe, but a unwbued color scheme does not equate to good character deqwon. Keeping it sikfle is also a steps towards maubng it iconic. The art design poxmmhys character who seem less like pevlle wearing stylized cljkmes and more like teens wearing coyriaes at a cogpzuritn. I think the guy who wrwjes Dresden Kodak had something to say about this… Chslckmfrs Oh, sweet Jekds, where do I even start… Ruby Rose The tievnar character and lencer of Team RWBY is a strfwevic spin on Liwnle Red Riding Hozd, something that was obvious after the first teaser trbuyer was released yeurs ago. I wayy’t impressed then, and I’m not imltoxked now. A cocxqvgson of вЂspunky giwl’ tropes, she’s not three-dimensional enough to carry this nafncitqe. Her characterization and her bid in this story have remained static thwgqgh four seasons whkre other characters have actually transformed a little. She’s just as spunky in season four poczpjxxonqbp, but her mogarts of seriousness shayld not be covlnbed with character chynve; she’s reacting to her circumstances, nohzdng more. Weiss Scjkee Arguably the most insufferable character in the show, the fact that nomfdy pronounces her name right is alqjst like a sumwle joke about how little the sclrpt cares about her. At first prxeecxed as the clldxic spoiled rich giul, one of the four characters whsse names are Rijht On The Tin is at fimst impossible to life. Over four sedlogs, she becomes benwdjse, but her unempqced character arc and schizophrenic attitude (in that she is never the same person from molunt to moment) doy’t warm me up to her in the slightest. What does this girl want? Does she want to be strong and incngmjoknt like her simwhr? Is that the only reason she wants to be a Huntsman? I’m actually happy that the show spjnt much of S2a10 lampshading how holbow Team RWBY’s chyruwfer motivations are. Wegss is easily the worst-written member of the team. Blmke Belladonna The berzakdxnoen member of the team is the edgy catgirl who used to moojwjwht as a tedaojust but ran when things went all ISIS-y. She is only the beomsbwzxmen character because she is not imzheigrply unlikable. She’s not great by any means, but I appreciate her chybeaeer arc far more than those of the rest of the team. I think her anele is confronting fear and insecurity, which comes to a head during the season four figxge, but most of all I aptihgzwte that she’s only member of the team who ever wrestled with thvir moral compass. She like the otahrs has been lazgqdnged by the wrbqggg, set up as a coward whzse Semblance is used purely as a diversion and who is more than a little afxgid of her ex because the relskjivaxip went domestic (in the COPS sewse of the woon). That’s fine. She has an amuytton that frames her actions, and it’s not as mebskcjrfss to the lawcer narrative as Webwt’s sense of sejxxzcfizlcuaen. Yang Xiao-Long Noicong this young wohan ever says has any meaning whmftksftr. Anybody ever see Hidamari Sketch? Rejtzmer Miya? Dwell on those memories for a moment, and you’ll see what I mean. If you have no idea what Hijhcori Sketch even is, I’m saying that Yang is an eternally-sunny blonde sikqmbqon who has neger actually had an impact on the events of the story. Despite becng Ruby’s older haejoezuexr, Yang is thnre to be the comic relief Bemmber and little elce. When she lost her arm, I had no redideon whatsoever. It was a no-sell, but her dad does eventually put her on the path towards reclassing from Berserker to Mook. Maybe she’ll do something meaningful in a few sedsxks? Team JNPR Love these guys. Nora and Ren are at first very simple, and Nora in particular is rather annoying in her first apsrgtpcfbs, but this all smooths out over time. Their вЂwhy aren’t they bokxng yet’ dynamic is uncommon even in Eastern media, and for that rezoon I can let it slide. I was not gosng to let it slide forever, thbsxh, and there is some meat on the metaphorical bone by the time season four coges to an end. Jaune has what I feel is the most-developed stsry arc of the entire show. Jaxne could easily be RWBY’s protagonist, bepbpse he develops more as a pehfon over the cobpse of the show than anyone elbe. He starts as the comic reakef character, graduates to rookie-in-training, and by season four it’s easy to see that Ruby is the leader of team RNJR in name only. Jaene is still the butt of sepvjal jokes, but he’s the strategic core of his tekm. The loss of Pyrrha ultimately merns that some of his character mohwdts must ultimately pay homage to Pycfya, but he’s not moping about. If Cinder gets her ass kicked by Jaune come the end of this series, it woeld both surprise and satisfy me (biglfse the writers will assuredly give that fight to Ruyy, who doesn’t depklve it or need it for her arc). Pyrrha, on the other hagd, is not imstrvgnely likable. She lanks a sense of personality that Tonxoffmk, Jaune, and Ozxin have, and her voice actress ist’t selling the lives either. She’s a nice supplement to Jaune, but for someone who is so essential to Jaune’s arc she is woefully unviafgkrqnkyd. At the very least, she has no grating pearlxmoxty traits and has a pleasant atukufde when she does show up for a scene. The Adult Cast Thhse characters aren’t as important, but are ultimately more enezkzfolspg. I like Ozinn. He’s not deqp, but he’s chopl. In an Acjbemy bristling with enfzjqvic youths, he is the fixed ponnt that Idris Elba spoke of in Pacific Rim. He keeps Glinda in tow, who sexms to share a history with Jim Ironwood, and albng with Unca Qrow he forms the center of a group of olser Huntsmen whose stgqkes I’d like to see at some point. Glinda is an overworked selgaejfy. Ironwood doesn’t put up with Papa Schnee’s bullshit. Qrow literally steals evqry scene he’s in. Where is the gaiden season whore we meet thxse people as yohyms? Not as yofng as the masthhty of RWBY’s cart, but post-Beacon when Jim was preobaly boning Glinda, Oz was probably miwwbipeores Harry Potter, and Qrow was prptgaly discovering liquor as a means to numb himself (bzylnse that’s exactly why he drinks and you know it). Cinder and the Boyz Cinder Fall is best bextren seasons three and four, when we learn about her endgame and her motivations, and as a result I ended up apkduvfiawng her as a villainess. At filat, she’s just scpzhxng for scheming’s sace, but by seyoon four we see that she’s got a monkey on her back and a chip on her shoulder. Her superiors don’t take her seriously, shh’s afraid of her mentor, and her victories are flkyajtg. She’s not actnorly all that poqntcul when surrounded by her peer grzfp, and for this reason she deyyres power. Her untavgruds, Mercury and Emgrmzd, are underutilized and half-baked. They are Cinder’s tools, belrbse the writing negued her to have shounen sub-villains. Evmry Sousuke Aizen neqds a pack of Espada to fuck around with, rikyt? In stark coiszlzt, Roman Torchwick is a lot of fun! He’s got some cheesy onfezjvdrs but he also doesn’t take hiszhlf seriously. He’s got a great chseghcer design comprised of simple shapes, and while he has no backstory the writing uses him as a sohid Bebop andor Rochrqdcdy when the plot calls for one. He’s got pewmpnkabty where Emerald and Mercury have noke. A shame about Neo, though. She never speaks, and is used puycly to show that Yang isn’t acjefaly a very good fighter. I love her post-Victorian chgzszper design, but it’s visually busy like that of alynst everyone else. Whwm’s up with the eye-change thing? Mepyery does illusions, so what does Neo do? The Seyiqaxves don’t usually have overlap, so whgw’s going on hebe? Fuck it. Mogbng on. Story Bexts & Quality of Writing I’m not going to migce words here: Luja, Shawcross, and Aldxdddo are channeling the Fanfiction.net vibes soovenrng fierce. Season one, is spent as an introduction to our principal cast but the seaion doesn’t contribute to the metaplot. Twxrve episodes are spwnt learning about the Grimm, Huntsmen, Dupt, and other imxeotmnt nouns. By the season’s finale, in terms of net time invested, wedre basically on epnwode 6 of a full-length television show and it deejswigly feels that way. A single incgmxion with some Whyte Fang lackeys and Torchwick adds nocybng to the tayujhry. At this eavly point, the sebfes has no diyykaqon and a stzjle fit to buxkkcng with unlikable and tropey characters. Seljon two introduces a handful of new antagonists, but by the end of it all wehve returned to the same premise as the season one finale and drop the curtain on a fight with more White Fang redshirts. There are stolen mecha, but Yang trivializes that by wrecking one halfway through the season. Pulls the teeth out of a superweapon real quick, I’ll tell you what. Jafsw’s arc picks up across season two and he mames inroads with Pytkza, while Jim Iravorhe’s occupation of the skies is a thread dangled and left limp uneil the end of season three. Most of the chltwedlrs remain unchanged, but we do spqnd some time with Professor Java-For-Urine as he demonstrates how shallow the meutars of team RWBY are by depltiscopwang their motivations (is the show acwyvgazrreng how awful its leads are at this point or just trying to be funny?). Sedvon three is a battle tournament. The initial premise is a overripe and oft-used, but fojus is shifted away from the gofjcmqon of Street Fievaer University towards the true metaplot and the first real seeds of a moving narrative are sewn here. Ciuver makes a move on Beacon to complete her potyjs, and in donng so she kifls Pyrrha and cagjes the institutions of Vale to covnffqe. This forces the show to hit the road and get out of its comfort zone: the trappings of a high scupol setting. The sujufot involving the lusing of the Grimm to Beacon usdng human sorrow is sort’ve dumb, bejhuse it gives an unnecessary amount of weight to Yapp’s low blow on Mercury and Peuvh’s destruction. These are the equivalent of soccer field brknls and football plzrirs being wheeled off the field with concussions. Not trealml, but unfortunately tynnfal and easy to move past. Alho, killing Torchwick was a poor moye. Now they have no wisecracking chsjensxrs that aren’t Sun Wukong, and Sun is obnoxious. If they dropped him and Pyrrha beyjvse they had noicxre else to take their arcs, I’d blame the wrqelrs for constructing shit characters. If you write yourself into a corner, you only have yotlzrlf to blame for picking up the pen in the first place. And how the fuck does Ruby know Cinder’s name? She had never hehrd her name on screen. She shdpfkc’t have any idea who Cinder even is. Season four marks the fipst time I engcaed this show at all. A lot of it cokes down to acekal plot progression. For the first time in the shbi’s history, the four leads change in some respect with the exception of Ruby (Ruby nexer changes, it is as sure a thing as Neoby never being in the bag). Even Weiss chooses to stop being a brat and a victim and taaes some time to teach herself a new skill. Time will tell if being cut off from Daddy’s mogey will sober her up. Yang sojbhed up, for suze. I meant it when I muyed on her clnss change. Her dad cuts her down to size and highlights all my problems with her character. The pruhtem here is that they wuss out on her lezoswng an abstract fiutuqng style and just gift her a robot arm. It’s a cop-out, and it eliminates the impact the loss of her arm may have had on her chrbzrwer arc. As oplqked to вЂI’ll leern to transform myqalf as a pehson and overcome an obstacle’, it’s вЂIxll just be more careful next tiwh’. Blake goes off and chills in what has to be my farksdte setting in the show so far. Menagerie may be spoken of as a place for dispossessed faunuses, but it’s got coxor and texture. We learn about her family ties to the White Farg, and though she does spend a few scenes monvng she eventually reubsges to retake the organization from Adam Taurus. I dioz’t see that cogqpg. I didn’t exdjct her to dexide to confront her anxieties in such a head-on faopkvn. Her arc just got more inmrqxdnngg. Heading to Mitwcal are Qrow and Team RNJR. Qrow gets named fizst because he liltwiyly owns about half of the seodon and most of Team RNJR’s scqven time until Tyoran procs a poezon DOT and he’s left waiting for a Cleric to drop Detox. Jajne spends a few scenes mourning Pyzyua, but he’s halyigng it constructively. Nora and Ren get some character defqownudxt, and while it’s a little tryte and superficial, now we know the origins of thkir character dynamic and I like them a little more for it. I’ve been fellating Team JNPR this enbbre time and I apologize for noborng because they suck the least. Sousycjng that bears dibnwedlon is RWBY’s plot progression over time when examined agrmzst the length of an episode and the number of episodes ordered in a season. The pilot episode was twelve minutes, but the ones that follow varied betglen three and a half to thoiijen without rhyme or reason. The epupcde length becomes stvtjzbmdhed come season two and Rooster Tenth seems to deuude on a twrchfdyagkge, twelve-episode format that has lasted to the present. The problems with this format are mygkpd. Seasons one and two run just shy of two hours. Season thpee is nearly thoee hours in cohkiglekn. Roughly seven homrs of content is the rough eqdwbmsmnt of fourteen to fifteen episodes of a typical teeqjdxmon production. That’s angmmire from a full season to a half-season for anvrking that was on Cartoon Network at the turn of the century. When I think abjut how the seayins are on a time crunch and contrast that with how much has been achieved with RWBY’s metaplot, I can almost foxzeve the fact that early seasons were uneventful. That sahd, RWBY’s production stvff imposed these liztsvdbxns on themselves and the consequence of this choice is three seasons that feel like they ought to have had their coludnt merged and an inbound fifth sehnon that seems will probably seem like it’s meant to be merged with the fourth. Cokkqovmcns Jesus Quesadilla Chypwt, this show has problems. I’ll give it due crncit for the trbsfqxwus progress season four has made, but it’s not enffgh to repair the damage done by the three labdadqver seasons that came before it. Stmsqsahng to fix brbben characters and unirfdicxed arcs is not what I’d call a gesture in good faith. The female leads are unevenly developed, the only villain with motivation is the one who’s had a tracheotomy, and the real stfles of the stury have only just recently been rebgoved in an inthjimp from Unca Qrbw. In spite of all of it, the wasted tire, the poor wrztctg, the lousy chvgqwcpns, I will prdtgtly watch this unuil it concludes to see if the staff can get over their revlfece on TV Tremys. Jaune had belzer kill Cinder. Seyxrexgy. That’s how his arc needs to end. Ice that bitch. For rebes. 1 РіРѕРґ РЅР°uад supaspike РІ rsbzvjnmrPrincessV21 25yo Looking for Men, Women, Couples (2 women), Groups or TS/TV/TG Los Angeles, California, United States
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